The interest in Orwell, his literary executor Bill Hamilton tells me, “is accelerating and expanding practically daily”. Since his death, 65 years ago, the estate has been handled by A.M. Heath (who also look after Hilary Mantel). In his office in Holborn, overlooking the Family Courts, Hamilton describes the onward march of “1984”. “We’re selling far more. We’re licensing far more stage productions than we’ve ever done before. We’re selling in new languages—Breton, Friuli, Occitan. We’ve recently done our first Kurdish deals too. We suddenly get these calls from, say, Istanbul, from the local publisher saying, ‘I want to distribute a thousand copies to the demonstrators in the square outside as part of the campaign,’ and you think, good grief, this is actually a political tool, this book. As a global recognised name, it’s at an absolute peak.” A new Hollywood movie of “1984” is in the pipeline, “Animal Farm” is also in development as a feature film, and Lee Hall, who wrote “Billy Elliot”, is writing both a stage musical version of “Animal Farm” and a television adaptation of “Down and Out in London and Paris”. It’s boom time for Orwell: “total income”, Hamilton says, “has grown 10% a year for the last three years.”
